The books
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남의 둥지, 낯선 알 (Namui Dungji, Natseon Al)
먼 제비 · 제1권
Seoul
Yun Jaesung has been back in Seoul barely two months when a small Paris museum's quietest painting lands on his desk — a mountain-and-moon ink wash by a nearly forgotten Korean painter, its ownership blank for thirty years. The case takes him from a dust-choked government archive to an old man's living room, where the tea goes cold and almost nothing gets said. Every document insists the story is simple. No one in that room believes it.
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낮은 가지의 지저귐 (Najeun Gajiui Jijeogwim)
먼 제비 · 제2권
Busan
In Busan, a shoebox of colonial-era photographs surfaces in a German museum's archive — faces with no names, a port city frozen mid-century. Jaesung follows the trail through crumbling harbor tenements and church record rooms older than the buildings around them, chasing down families who don't always want to be found. One photograph keeps turning up in places it shouldn't.
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길 잃은 새, 풀리지 않은 매듭 (Gil Ireun Sae, Pullriji Anheun Maedeup)
먼 제비 · 제3권
Gwangju
A scholar's entire library vanished the year Gwangju burned — sold off in pieces, scattered across two continents, half-forgotten by everyone but his granddaughter. Jaesung tracks the fragments through a rare-books trade that runs from a Hong Kong back alley to a quiet reading room in the Netherlands, piecing together a life from what survived the fire and what didn't. Someone in that chain kept more than they should have.
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흩어진 무리, 새겨진 무늬 (Heuteojin Muri, Saegyeojin Muneui)
먼 제비 · 제4권
Gyeongju
A 1962 excavation outside Gyeongju pulled grave goods from the earth under full government sanction — and somewhere between the dig site and a Swedish museum's storage vault, the paper trail grew a little too convenient. Jaesung retraces sixty-year-old permits against the memories of an archaeology institute that never quite let the case go, closing in on the handful of men who signed off on everything. Most of them are surprisingly hard to reach.
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물어온 것, 갚지 못한 몫 (Mureoon Geot, Gapji Mothan Mok)
먼 제비 · 제5권
Seoul
Back in Seoul, Jaesung finally turns to the case he's avoided for years — his own grandmother's celadon, and the question of where a family heirloom stops being just that. An old mentor offers to help him trace it properly this time, the kind of quiet generosity Jaesung has leaned on through four cities and five years. But some doors, once opened, don't lead where you expect.
Want to know what's inside the books?
Artifacts, scaffolding, language notes — the full picture of how the series works.